Alone she lays waiting
Surrounded by gloom
Invaded by shadows
Painting the room
The light from the window
Cuts through the air
And pins the child lying there
Scared of the moon
She pulls up the covers
And shivers in fright
She hides from the color
That rides on the night
The light through the window
That lights up the sky
And causes her mournful cry
Scared of the moon
There’s nothing wrong
Don’t be bothered they said
It’s just childish fantasies turning your head
No need to worry
It’s really too soon
But there she lies shivering
Scared of the moon
Scared of the moon
Scared of the moon
Scared of the moon
Scared of the moon
The years go by swiftly
And soon childhood ends
But life is still fearful
When evening descends
The fear of the child
Still intrudes the night
Returning on beams of light
Scared of the moon
The feeling of terror
She felt as a youth
Has turned from a fantasy
Into a truth
The moon is the enemy
Twisting her soul
And taking its fearful toll
Scared of the moon
But now there are others who sit in their room
And wait for the sunlight to brighten their gloom
Together they gather
Their lunacy shared
Not knowing just why they’re scared
Scared of the moon
Scared of the moon
Scared of the moon
Scared of the moon
Scared of the moon
Michael Jackson recorded this song during the Thriller era (1984) but it wasn’t released until The Ultimate Collection in 2004 on which it was listed as an unreleased demo. The liner notes refer to a book by the same title, but I haven’t been able to find that. For those Michael Jackson fans who have not treated themselves to The Ultimate Collection, may I recommend that you do so? It is a treasure trove of beautiful songs, including many of Michael Jackson’s biggest hits spanning his entire career as well as about ten songs that are shown as demos, which in this humble fan’s opinion are just as good as anything he ever released. Scared of the Moon is one of them.
Michael sings this song with deep emotion (one can hear the tears in his voice and in his nasal passages as he sings the fourth verse). After hearing it for the first time I wondered if it referred to something in his life – or in one of his family member’s lives – about which he felt very strongly.
Today, as I was driving home from work, I listened to it again. I have an MP3 player upon which I have placed two hundred and forty-five songs ranging from Michael’s first hits as an effervescent, joyous member of the Jackson 5 through his last releases as a solo artist. Most of the time I have the MP3 player set to random play unless I have a particular need to hear a song because of events of the day or my heart just craves uplifting or my granddaughter has a specific request (she doesn’t like the ‘sweet’ songs.) Most of the time random play serves them up in an order that suits me just fine, much of the time throwing in the song that I really needed during my half hour drive to or from work as a surprise, a gift from his heart to mine. I am always grateful for those gifts and throw up a “thanks, beloved!” My husband has long ago decided that I’m like totally nuts!
Tonight, Scared of the Moon was on the agenda. While the song was playing, I had an interesting insight that I thought I would like to explore in more depth. The moon has traditionally been a symbol for the female, intuitive, right-brained side of life. Intuition, artistic creativity, poesy, the divine feminine, empathic sensitivity, imaginative or psychic powers all fall under the aegis or authority of the right brain or moon, in the symbolic sense. This is the passive yang principal in oriental philosophy.
Conversely, the material, logical, analytical side of the brain is considered the left brain. It is responsible for scientific inquiry, logical thinking, analytical, male dominance, patriarchal, I’ll-believe-it-when-I-see-it kind of thought. This is the active yin principal in oriental philosophy.
Ideally, both hemispheres of the brain work in tandem to help us navigate our lives. When one is damaged, the other partially takes over its duties because the two hemispheres have a channel of communication that flows between them. One of the theories used to explain epilepsy is that the channel of communication between the two hemispheres of the brain becomes disrupted, causing seizures. Most of us have a dominant hemisphere – one that we feel more at home in than the other. In some situations, damage or trauma can cause one hemisphere to become inactive or unable to function, which causes brain pathology of various kinds.
Well, I suppose I won’t get too many disagreements if I state that Michael Jackson was very right-brain oriented or right-brain dominant. He was a dreamer, claiming to suck inspiration out of the ether like a Hoover, imaginative with the ability to live in his imagination most of the time, extremely artistic in many fields, empathic to the suffering of others nearly to the point of his own physical discomfort, sensitive and extremely spiritually oriented. There is a theory being circulated since his demise that he experienced trauma as a youth (perhaps, as a result of one of the ‘spankings’ he received from his father) which made the left side of his brain inactive or unable to function, arresting his development at the eight or nine-year-old level in the left hemisphere while the right developed at the normal rate, creating an actual physical handicap to his normal functioning in the adult world.
While I do not support this theory wholeheartedly, I do believe that Michael was right-brain oriented by choice almost to the exclusion of the left-brain functions that control many of life’s little challenges and, I believe, he was comfortable in that sphere. But I also believe that he was a fully-functioning adult who preferred to see the world through the innocent eyes of a child because the sight was too painful to him any other way.
Now, it has been my experience that left-brain dominant people often have a discomfort bordering on horror of predominantly right-brain thinkers. They abhor illogical, feeling-based, empathic or imaginative thought. They patronize acquaintances of the right-brain persuasion as idealists, dreamers, wearing rose-colored glasses, unable to deal with the world of reality. It’s their way or the highway! We all know people like this. They’re the ones who admonish us to “wake up and smell the coffee, take your head out of the clouds and pay attention, you never listen to a word I say, there really is no Santa Claus or Neverland” and any of the many variations we hear on the same theme. The criticism is not intended to be cruel – after all, we might be disappointed if allowed to count too strongly on our imaginations – it’s for our own good, isn’t it? One can’t be allowed to go around living in his or her imagination. That just wouldn’t be right, at all. And it might result in change, in manifesting our dreams and bringing them into the world of form and matter! Heavens, just think what might happen!
I’m married to one of these left-brainers who is very dogma-oriented (as in religious) and tells me frequently that I don’t see the world as it is (to which I usually reply, “Look at the world. Would you want to see it as it is?”) I, on the other hand, am a predominantly right-brain thinker. Although not particularly artistically-inclined, I am sympathetic to suffering almost to the empathic level, sensitive to any kind of emotional disturbance, tension or stress, very much a day-dreamer who is just as likely to run into a wall because I am not paying attention as make it through that doorway unscathed, heart-centered and very spiritually (as opposed to religiously) oriented.
Here is an example of how the difference between our brain dominance affects our lives. My husband’s favorite choice in movie viewing is war films, action films and horror films – the more realistically portrayed the better. After spending 59 days in Viet Nam where he was shot down in a helicopter and lived through it, I would think he would have seen enough of war, but, apparently not. He has to watch it on television and movie theaters, too. He has seen Tora, Tora, Tora every single time they have shown it on the History Channel, loves The Omen, Predator, and Saving Private Ryan. “This is the real world,” I am frequently told, “not some airy fairy world of moonbeams and moonwalks.” (LOL!)
I, on the other hand, won’t willingly watch such things because I believe that what we place and focus our attention on becomes our reality. There are two underlying thoughts which control our universe: Love and Fear. I will not pay good money to go into a darkened theater and immerse myself in fear (represented by war, action, and horror movies) for two hours. My movie viewing is limited to Walt Disney (fortunately I am raising my eight-year-old granddaughter who also loves Walt Disney), love stories, and Michael Jackson. Needless to say, we don’t go to a lot of movies together.
Okay, so we’ve got two hemispheres of the brain, right and left, one of which views the other with horror and disdain often to the point of ridicule (don’t forget, it’s all for our own good, of course.) Michael is right-brain dominant which is represented by the moon, the intuitive, the empathic, the psychic. Left-brain dominance is represented symbolically by the sun, the logical, the realistic, the analytical, and scientific method.
The insight I had on my drive home in the car this evening (remember – that’s how this whole thing started) was Michael Jackson, a young man (early twenties) at the time the above song was recorded, was very intuitive; as a matter of fact, I would venture to say he was prescient. While his education was often interrupted to allow for travel around the world to perform at concerts and television shows, he was extremely inquisitive (just ask Berry Gordy or Suzanne de Passe), pursued his own line of inquiry (in other words, he followed his own interests) and was far from uneducated. Like all of us, Michael encountered moments when the two hemispheres of his brain were in opposition to each other, when he was being pulled in two directions at the same time, when he argued with himself over the proper course to take. Who hasn’t experienced those impulses urging toward logic while also inexorably drawn to the rampantly, flagrantly illogical? Who hasn’t been forced to choose between heart-based, imaginative engagement and doing what the world expects of us, being responsible, thinking logically? Which of us hasn’t felt frightened by the bottomless pit of the imaginative, illogical – and by our total fascination with it bordering on being irretrievably lost in it – at times? Was it possible that this admittedly intuitive, perceptive young man was commenting on this universally-known phenomenon symbolically within his art? Was this an early example of social commentary which would develop fully later in his life and result in numerous songs ending with Shout in 2008?
In addition, our world and our society are very left-brain attuned. We are a reality-based, materialistic, modernistic, technology-oriented culture. One who flaunts his right-brain proclivities blatantly, successfully, globally – and without apology for going against the ‘norm’ – raises our ire. How dare he fly in the face of convention? We (and I’m speaking collectively, here) feel compelled to bring him back down to earth – for his own good, of course – when he’s flying too high! He could hit his head on a star! We must burst his bubble, for his own sake. We can’t allow him to go on believing that anything is possible, that there really is, indeed, a Santa Claus or a Neverland. Think of his disappointment when the truth becomes all too transparent. We’ve all experienced that moment when our bubble was burst by some well-meaning friend in around the second grade, haven’t we?
Let’s take this thought to the next logical step in its evolution. What if this adamantly right-brain oriented individual who has the audacity to live his dreams in full sight of the entire left-brained culture into which he was thrust at birth should actually create that Neverland, himself? What if he should dare to manifest the world of his imagination within our very real, materialistic, logical world? Why, of course, we must tear it down (both literally and figuratively) – we cannot allow such extravagance and beauty and imagination to exist – an oasis within the wasteland of our reality – and actually benefit children. It’s not possible that that was his original intention. There must be something sinister behind it. After all, who would create such a place, spend millions to maintain it in pristine splendor and invite children to enjoy it without having some ulterior motive, without benefiting from it himself in some way?
Although the scorn and ridicule Michael would eventually face hadn’t started in full earnest at the time the song was recorded – at least, not to the level it eventually became – was he drawing our attention to the fear and abhorrence he would later suffer from the world he inhabited? The child (left-brain dominant) in the song is scared of the moon (right-brain oriented) and fear causes humans to react – sometimes violently knee-jerk reactions – to be somewhat unthinking, unreasonable and downright cruel to the moon. After all, it’s for its own good.
This would not be the only example of Michael Jackson’s prescience. The timing of the release of the Dangerous album and, specifically, the song Will You Be There (with its emotional rap at the end) was another illustration of his premonition of what would eventually happen. Remember, the Dangerous album was released in 1991 but it was recorded between 1989 and 1991. Generally, the schedule for release of songs is set before the album is released. How else was the release of the song Will You Be There so unerringly timed if not by premonition?
Remember, with me, if you will. The official release of the song Will You Be There and the movie Free Willy containing the song along with a modified version of the short film to accompany the song coincided very closely with the news of the first set of allegations against Michael in 1993. While the medialoid was tripping over its own feet in its attempts to beat its competitors to the most salacious headlines, Michael’s song was being played in movie theaters across this country along with the tearful rap at the end of it … “In our darkest hour, in my deepest despair, will you still care, will you be there? In my trials and my tribulations, through our doubts and frustrations, in my violence, in my turbulence, through my fears and my confessions, in my anguish and my pain, through my joy and my sorrow, in the promise of another tomorrow, I’ll never let you part. For you’re always in my heart.” I remember this well; I sat in the movie theater and cried! I hear those left-brainers out there shaking their heads and thinking, “Coincidence!” Well, we all know how I feel about coincidences, don’t we?
I’ve always thought of Will You Be There as Michael Jackson’s intensely private – while at the same time exuberantly public – Gethsemane, corresponding with Jesus’s night of prayer prior to his trial. Jesus begged his Father to “take this cup from me,” but, he said, “Not my will but Thine be done.” We are told by the author of the Gospel that an angel was sent to comfort him in his fear and anguish at what was to come because his disciples couldn’t seem to stay awake and pray with him. This episode from the Gospels raises interesting parallels with Michael’s song in which he sings, “Hold me like the River Jordan and I will then say to thee you are my friend. Carry me like you were my brother, love me like a mother. Will you be there?” As he gazes out over the audience and the beat builds, once again he puts it all on the line (as Michael so often did), fully ‘engages’ with the music, “But they told me a man should be faithful and walk when not able and fight to the end, but I’m only human! Everyone’s taking control of me. Seems that the world has a role for me. I’m so confused will you show to me you’ll be there for me and care enough to bear me.” As he speaks the tear-filled rap at the end of the song, an angel descends from the rafters to comfort him. The song could easily be interpreted as a prayer of supplication to his Higher Power. “I’m only human.” I find the parallels striking, to say the least.
I believe in my heart that Michael had premonitions – or, perhaps, nothing more than educated guesses, as the predominantly left-brained thinker would rationalize them – and placed the evidence of his foreknowledge in his art for all of us to interpret at our leisure after he was gone. Scared of the Moon is, in my opinion, an early example of this prescience. Will You Be There is a later illustration and there are others. Was he explaining to us what was going to happen? Was he answering his own … and our … over-arching question, “Why?”
Jan
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